On a day when The Hindu carried an interview with the Booker-winning Indian author Arundhati Roy, my mind turned to what really goes into writing fiction. When the interviewer Zac O Yeah asks her about how much autobiographical detail goes into her book, she responds with a question of her own – “…where does your imagination end and experience begin?”
As I began to ponder over the question, my eyes swept over the misty blue hills visible from my front veranda and my attempted intellectual exercise took an unscheduled turn. So then, could a physical setting – the colours, sounds, smells and even the mood of a place affect your writing? I began to wonder…
There are accounts that writers look for a peaceful and evocative places to compose poetry – certainly the Nobel Laureate Tagore did that! He not only visited naturally exquisite places in India like Ranikhet and Shillong where he wrote some of his best works but travelled to far-flung places like Japan, Turkey and South America which provided the impetus for his essays and letters on a range of topics like culture, nationalism and history. Then there are the famous English Romantic poets like William Wordsworth who found inspiration in the serenity and beauty of the Lake District.
On the other extreme are women writers – no surprises there! – like Emily Dickinson and Jane Austen who barely left their immediate surroundings and yet left a mark on the history of English literature.
How about dirt, pollution, conflict, violence – can one write in a place marked by such intense negativity? Even though a writer could be writing about experiences like riots and forced migrations, but can he/she do it while all around the landscape burns and smokes?
These are questions to which there are no simple answers and which take me to entirely different time periods and settings – far, far away from my bit of paradise in the hills where my dog sits softly curled up at my feet and nuzzles me for her breakfast.